In the time of post-capitalist global turmoil, technological advancements, strengthening of the right-wing extremism, the growing influence of the religion that limits women rights again, and the semblance of democracy in the 21st century, we are facing a situation in which women must fight anew for the rights that had been won long ago.

In the midst of initiatives such as #MeToo, Free the Nipple, The Future is Female, and phenomena such as the female gaze, it is necessary to re-examine the current role of photography in representing and articulating women's experiences, and to critically rethink how digital culture is transforming feminist approaches to the image.

How and why women protest and ignite change? Who are the heroines of our time? How are girls' and women's social roles and patterns of behaviour shaped? How do girls represent and self-represent on social media and how to think the new, so-called Instagram generation of artists? Psychoanalyst Joan Riviere in her essay Womanliness as a masquerade published in 1929 describes womanliness as a mask worn in the patriarchal society – a mask that actually forms an inherent part of the female identity. How is femininity as a mask reflected today? What is the role of our own bodies in a selfie-obsessed culture? Who are the viewers that we're addressing?

In the last five years, the term the female gaze has become a ubiquitous buzzword in the art and fashion world. Many young artists have consciously adopted this term as a feature of their own approach, their activist and emancipatory engagement. The female gaze is juxtaposed with the dominant, patriarchal male gaze which objectifies the female body and defines the position of the woman as passive. Women artists purposefully take on an active role in order to articulate potential new perspectives on personal and direct female experiences that have, until now, remained invisible or been represented in a stereotypical manner. Can the female gaze be perceived as an intergenerational phenomenon? And has it been commodified and framed as merely a trend?

Members of an international jury will have the task of evaluating and selecting 20 artworks that address contemporary challenges, issues and perspectives related to this open call. In particular, the emphasis will be on the inclusion and appreciation of diverse attitudes, different cultural and geographic context that can jointly, in the framework of the curatorial concept, provide an overview of the current situation in the global socio-political and feminist scene. We therefore invite all interested artists who work in the medium of photography as such or in an expanded form, video, or installation to apply to this open call and respond to the given topic. The selected artists will exhibit their work at the 10th Organ Vida Photography Festival at the Museum of Contemporary Art in Zagreb, Sep 10 - 30, 2018.

ORGAN VIDA International Photography Organization based in Croatia invites artists from all over the world who work in the medium of photography as such or in an expanded form, video and sound, installation, collage to apply to this open call and respond to the given topic: Engaged, Active, Aware — Women's Perspectives Now.
The selected artists will exhibit their work at the main curated exhibition during the jubilee 10th ORGAN VIDA — International Photography Festival at the Museum of Contemporary Art in Zagreb, Sep 12 - 30, 2018.


Event informations

Entrance Fees:
30€ per project
20€ for Balkan countries (ex Yugoslavia + Albania)

Artist from countries in the Balkan region (Albania, Bosnia and Herzegovina, Croatia, Kosovo, the Republic of Macedonia, Montenegro, Serbia, Slovenia) have a reduced entry fee. Applicants must have a voucher to get the 10€ discount. Before filling the application, applicants must send an e-mail to festival@organvida.com with a document (ID card, passport) that confirms that they are from Balkan region. In the reply applicants will receive the voucher and then they can continue with the application

Jury:
Arvida Byström, artist (SE)
Fiona Rogers, Global Director of Business Development for Magnum Photos International (UK)
Katalin Ladik, poet, performance artist and actress (HU)
Nina Berman, documentary photographer, filmmaker, author and educator (USA)
Tomoko Sawada, artist (JAP)
Laia Abril, multidisciplinary artist working with photography, text, video and sound (ES)


Website

https://www.picter.com/organvida/open-call-2018/